We fund and run clipping campaigns that put your content across hundreds of independent accounts at once, and we pay per thousand verified views rather than per post.
Independent editors take your long-form footage, cut their own short videos from it, and post them on their own accounts. They get paid out of a funded pool for every thousand verified views they generate.
You stop being one account fighting one algorithm. You become a hundred accounts, posting in a hundred different styles, hitting a hundred different corners of the same audience.
A long-form shoot day built around something worth watching. Two to four hours of footage becomes a one to two hour pillar. Without strong source material, a clipping campaign has nothing to cut and it dies in week one.
Brief, brand rules, banned topics, visual standards, payout rate, caps and deadlines. We set the rate deliberately high enough to attract editors who are actually good.
Not everyone gets in. We check account history, output quality and audience. A clip that performs on the wrong account costs you more than it earns.
We review submissions, pull anything off-tone, track verified views and report what ran, what worked, and what it cost per thousand.
Clipping campaigns pay somewhere between $0.20 and $6 per thousand verified views. The market average sits around $1.
We recommend $2. Double the average, because that is the level at which experienced editors take a campaign seriously instead of ignoring it. Underpaying is the most common reason these campaigns fail.
Plan for a 20 to 30 percent haircut. Not every view is verified and not every submission qualifies, so a $10,000 pool at $2 should be modelled at four to five million views, not a flat five.
Comparable paid social reach typically costs $10 to $30 per thousand, and it arrives as an advert rather than as a person.
Below $2 per thousand, the good editors do not turn up and the campaign fills with low-effort submissions.
Editors cannot cut what does not exist. Campaigns launched on a thin folder of clips stall within days.
Without written brand rules, editors optimise for views alone, and you end up amplified in a tone you would never have chosen.
Volume without review means the worst clip in the campaign becomes the one that travels.
Amplification multiplies whatever already exists. Run it before the brand has a defined look and voice and it multiplies nothing.
You want to be known by a specific room, fast.
A podcast, a launch, a documentary. Something worth cutting a hundred ways.
Clipping multiplies what works. It cannot create what isn't there yet.